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In this secondary correction, we have a very large fix to address. This one is less fine-tuning and more addressing a large color problem. Doing color work of this degree will require repainting of the colors.
Based on gradient map overlays and then various adjustment layers to achieve the muted warm aesthetic, this is Nino’s favorite part. This is where Nino is getting creative vs fixing parts of the image.
While doing the finalization Nino is looking at the overall intent of his image. Has he achieved his intent? There is not a “typical” process here. This is the final look to make sure the image remains polished.