With the interiors of the Wexford building captured, move outside to prepare for an exterior image. With daylight fading fast, watch as Tony and Barry quickly lay out a plan and adapt to the ambient shifting light.
Watch as Tony iterates through different exposure brackets to catch the ideal sky reflections for the building’s exterior. Utilize long exposure to capture car lights for added interest. Pay attention to lighting and building detail to accentuate, for the final composition.
With production now complete, shift focus as Tony sets up the retouching, post-production portion of the series. Receive an overview of philosophy, workflow, and approach as Tony introduces, retouchist, Barry MacKenzie, who will guide you through the compositing and color control work.