Edit of photographer Kate Woodman's RAW image files through building a analogous color grade in a strategic approach. Learn to discern the line between using Adobe Camera RAW and Adobe Photoshop to manipulate color. Continue to analyze color with your eye versus the data that photoshop perceives
Edit one of photographer Kate Woodman's RAW image files, to create a complementary color scheme and a new variant from the analogous scheme.
Push the edit on one of photographer Kate Woodman's RAW image files with a split complementary variant grade, creating a dramatically different look and feel, evoking a more commercial aesthetic. Learn the process of running Adobe Camera Raw as a filter.
Unpack color on one of photographer Kate Woodman's flattened TIFF images, with a completed grade to discover the colors used to create her final image. Unpack 2 palettes from Kate’s finished grade and the base color of the TIFF file.
