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Analogous Variant

Commercial Color Grading • 9m 4s

Edit of photographer Kate Woodman's RAW image files through building a analogous color grade in a strategic approach. Learn to discern the line between using Adobe Camera RAW and Adobe Photoshop to manipulate color. Continue to analyze color with your eye versus the data that photoshop perceives

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  • Complementary Variant
    06:25
    Complementary Variant

    Complementary Variant

    Edit one of photographer Kate Woodman's RAW image files, to create a complementary color scheme and a new variant from the analogous scheme.

  • Split Complementary Variant
    10:14
    Split Complementary Variant

    Split Complementary Variant

    Push the edit on one of photographer Kate Woodman's RAW image files with a split complementary variant grade, creating a dramatically different look and feel, evoking a more commercial aesthetic. Learn the process of running Adobe Camera Raw as a filter.

  • Unpacking Image V
    10:19
    Unpacking Image V

    Unpacking Image V

    Unpack color on one of photographer Kate Woodman's flattened TIFF images, with a completed grade to discover the colors used to create her final image. Unpack 2 palettes from Kate’s finished grade and the base color of the TIFF file.

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