Begin to integrate some of the finer details in the retouch, adding creative elements to the bubble sole of the athletic shoe. Use flares that were shot by photographer, Adam Levy, and integrate them into the product story. Jump back over from Photoshop to Capture One, and select the best exposures for the light flares. Use channel masking to create a clean composite for the new integrated elements. Learn the value of a staged, intelligent workflow, building in flexibility for client feedback.