Culling images is an art form all of its own. In order to get the best edits in post-processing, you need to select the best images to start with. Culling is never an easy task for one photographer - what happens when you have two? Jonny and Dustin discuss what they like about the images and try to narrow down their selections together.
Using Adobe Lightroom Dustin prepares to bring the image into Photoshop. In Lightroom, Dustin makes adjustments to the dynamic range to help lighten shadows and reduce the highlights. Dustin also uses Lightroom to examine the colors in the image that will eventually be used to isolate the image f...
Dustin imports the image of the model into Photoshop where he concentrates on creating a rough cutout of the subject to be used as an overlay in Cinema 4D. This process concentrates on speed over perfection since this cutout will not be used as the primary cutout for the final image. The lasso to...
In this section, Dustin demonstrates how to import a cutout of the model’s image treating the image as if it were a new material in the program. Creating this overlay of the model allows Dustin to have a stand-in in Cinema 4D so that he can prepare the digital scene to match the photo for composi...
