The Motel image continues with the RAW Processing and cleanup, preparing the image for the colorwork that follows.
Infusing color into the image, Justin talks about why certain colors work better than others and builds out this image into its finished state.
We see images constantly in our lives. How often do we think about the people behind them? Using his mother in law, nicknamed Chicken, Justin, and his family wrestle with loss while holding on to the memory.
Justin shows a simple technique to aid in complex composites while building out this image to its color ready phase.
