In this phase of post production, transition from compositing into color and lighting adjustments. Follow Kate’s workflow in adjusting skin tone utilizing Photoshop’s hue/saturation adjustment. Paint masks to target color adjustments to specific locations within the composition. Utilize a curves workflow, to dodge and burn for dimensional skin tone.
For the final step on the Red Room - focus on color to complete the image. Utilizing Kate’s custom Photoshop Action, Mona Lisa - apply a dynamic range shift for a painterly aesthetic. Learn how to manipulate her action to fit the context of this image.
