Listen as photographer and retoucher, Barry MacKenzie identifies the challenges of the Parlor room on production day. Cull through the exposures examining the anchor points that tie this space to the rest of the home layout. Here more of Barry’s reasoning behind choosing the composition and perspective that he did for the composite image. Apply the workflow for RAW adjustments in Lightroom, experiment with the linear and radial gradient tools in Lightroom, and continue to work on creating balanced RAW images in Lightroom. Prepare the exposures as layers for compositing in Photoshop.
Apply the retouching workflow for the Parlor. Leverage the strength of each exposure captured in the field. Use gradients, masking, control color, and build dimension into the image. Listen to Barry’s philosophy behind shooting multiple top down exposures, what options those bring, and how do dec...
Listen as photographer and retoucher, Barry MacKenzie identifies the problem areas of the Powder Room and what steps will need to be taken in Photoshop for the composite. Cull through the exposure to select the best options for layer compositing. Manage color in Lightroom to create solid starting...
For compositing layers in the Powder Room, leverage the power of Photoshop’s Pen Tool to create sharp and detailed vector paths for precision masking. Remove distracting production gear from reflections with a combination of the masks and the Clone Stamp tool. Hone the images with controlling col...
