Apply the retouching workflow for the Parlor. Leverage the strength of each exposure captured in the field. Use gradients, masking, control color, and build dimension into the image. Listen to Barry’s philosophy behind shooting multiple top down exposures, what options those bring, and how do decide which exposures to use. Contrast what makes a dimensional image versus a flat one. Build up gradients over a foreground element that doubles as an anchor point to orient the potential home buyers to the layout of the home. Manage the color of a distracting specular highlight to blend it naturally into the image. Utilize the lens correction tool to maintain proper verticals in the image.
Listen as photographer and retoucher, Barry MacKenzie identifies the problem areas of the Powder Room and what steps will need to be taken in Photoshop for the composite. Cull through the exposure to select the best options for layer compositing. Manage color in Lightroom to create solid starting...
For compositing layers in the Powder Room, leverage the power of Photoshop’s Pen Tool to create sharp and detailed vector paths for precision masking. Remove distracting production gear from reflections with a combination of the masks and the Clone Stamp tool. Hone the images with controlling col...
The exterior is also one of the hero shots of a real estate production. Listen as photographer and retoucher, Barry MacKenzie walks through the exposures in Lightroom, reflecting on his approach to capturing the image. Cull the exposures and select the best, singular option for retouching in Phot...
